food

eater's digest: googamooga 2013

Photos by Eric Isaac

The dust is starting to settle after GoogaMooga‘s second annual food and music festival, and I can’t help but think of LL Cool J’s oft-misused catch phrase “don’t call it a comeback.” After the onslaught of criticism about long lines and insufficient amounts of food at GoogaMooga’s first run, I returned to this year’s food and music extravaganza with tentative optimism. And until 12:15 on Sunday morning, I was ready to write an article on how, this year, the event had finally earned its name of The Great GoogaMooga.

Sure, the sound on Friday night could have been better, and yes, Saturday’s weather left something to be desired. But on the whole, the food I ate at GoogaMooga was among the most satisfying I’ve had at large-scale, multi-vendor food events. The notorious lines were short, bordering on non-existent. And Saturday’s musical acts at the Joe’s Pub stage included some of the most promising local bands in New York City.

So after frankly acknowledging the fact that attendees, the musicians and (especially) the food vendors were blindsided by Sunday’s last-minute cancellation, let’s talk about the first two days of the festival.

Friday’s beautiful weather had everyone in high spirits, with early arrivers singing along to The Darkness, laughing as they realized they knew all the words. The smell of barbecue was in the air, shoulders were bare, and a surprising number of toddlers donning adorable sound-muffling headsets danced along with the mostly 20/30-something crowd.

Grilling oysters at Maison Premiere

Grilling oysters at Maison Premiere

I kicked off The Flaming Lips’ set with a round of Maison Premiere‘s grilled oysters, their brine laden with a gorgeous herb butter and aroma of char. Serving oysters at an outdoor music festival may seem more Hamptons than “hipster”, but at GoogaMooga, quality was king. Even the stands selling sliders upped the ante, as with Umami Burger’s fragrant, truffle-infused beef patty.

Another unexpected element: healthy food options. At Back Forty, Chef Michael Laarhoven served up a harissa smoked lamb over a refreshing pickled vegetable and quinoa salad with spiced yogurt. Sufficiently filling for an evening of drinking, but leaner than your average summer bbq fare, it was my clear favorite dish at the festival.

Back Forty’s smoked harissa lamb dish

Back Forty’s smoked harissa lamb dish

Midway through the Yeah Yeah Yeahs’ performance, I had a hankering for something sweet, so I headed up to the Melt Bakery cart to check out Chef Julian Plytner’s latest concoction. I’ve tried many of his flavor pairings before, but I was especially impressed by the sugar-sprinkled chocolate cookie with malted chocolate rum ice cream. Alcohol isn’t my favorite flavor in dessert, but Julian had crafted a just-adult-enough ice cream sandwich, mellowing the chocolate flavor to let the malt and rum subtly shine through.

On day two, the drizzle had us feeling indulgent, so we started the day with dessert from Red Hook’s BAKED. Head Baker Molly Marzalek-Kelly couldn’t have been more friendly, as she hawked her sweet and salty brownies, as well as “brooksters” (the love child of a brownie and a chocolate chip cookie). We eagerly gobbled up the brookster and used our remaining willpower to hold onto the brownie, which later proved to be one of the most moist and delectable I’ve ever eaten.

For lunch, we opted first for Red Hook Lobster Pound‘s chilled Maine lobster roll, with a bright, mellow sweetness that helped us imagine sunnier times. Looking for a warmer dish to follow, we ran into Chef Dan Holzman of The Meatball Shop, expediting to ensure that each of his MBLT sandwiches had exactly the right amount of mayo. To say the least, we were grateful for his attention to detail. Having recently been impressed by Pok Pok‘s showing at the Lucky Rice Night Market, we settled on Chef Andy Ricker’s “phat thai.” Unusually egg’y, with crushed bits of dried shrimp, tofu, tamarind and fish sauce, it had a delayed spiciness and complexity of flavor that couldn’t have been farther from takeout food.

By Saturday’s end, we had already dreamed up a last-ditch list of the dishes we wanted to try on Sunday. Jeepney‘s pinoy corn and chori slider. DBGB Kitchen & Bar‘s Käsekrainer sausage with ramps, spring onion and mustard. Northern Spy Food Co‘s fried eggs with kale and potato hash. Big Gay Ice Cream‘s vanilla with bourbon butterscotch and cardamom and cacao nibs. (That’s the short list.)

Really, the tragedy of GoogaMooga’s cancellation on Sunday wasn’t the fact that it was poorly communicated (There was already a delayed opening when I arrived at 11:30, and nothing was announced on social media or their website. The cancellation itself came nearly 90 minutes after the scheduled opening.) The rain was constant, and despite our “make it work” game faces and weather-appropriate outfits, we still were chilled to the bone. The real tragedy is that the very vendors who killed it on Friday and Saturday were faced with a major financial hit to their bottom lines.

I’m not sure what the future of the festival holds, and I’m not one to suppose I know enough of the details about Superfly’s event planning tactics and policies. What I do know is that there is an amazing number of small food businesses in this city and that they’re not only incredible at serving food on their own premises, but they’re also dedicated enough to surpass our expectations off-site, in challenging weather, faced with potentially ungrateful crowds. That’s the story of GoogaMooga I’d like to remember. So maybe we should “call it a comeback.”

seen and heard: food book fair

Photos by Lauren DeFilippo

This weekend, writers, chefs and other food enthusiasts converged on Williamsburg's Wythe Hotel for the second annual Food Book Fair. This Brooklyn-based series of panels, cooking demos and food tours examined culinary innovation in food policy, media, trends and design, through the specific lens of food publications.

Deb Perelman of Smitten Kitchen

Deb Perelman of Smitten Kitchen

The fair kicked off with a cooking demo at Pure Kitchen, featuring self-taught blogger and cookbook author, Deb Perelman, of Smitten Kitchen. Deb's story is an unconventional one, having jumped into the blogosphere far before it was a full-fledged industry. With creative recipes—like "popcorn cookies"—and indulgent photography that feature her homespun style, Perelman is the quintessential example of a blog-to-book-deal success story.

Deb Perelman's "popcorn cookies", ready for baking.

Deb Perelman's "popcorn cookies", ready for baking.

Another interesting session considered "Food + Foraging", with Aska Chef Fredrik Berselius and professional forager Evan Strusinski. The two had a surprisingly non-dogmatic approach to foraging, with Strusinski, in particular, bristling at the trending term. As we munched on samples of locally found ingredients, it was an opportunity to consider the collective weight of terminology and how it influences our perception of individual purveyors or chefs.

Other talks related more specifically to publications, such as "Cookbooks + Art". The trend of chef-driven texts was discussed in most depth, in particular by panelist Anne McBride. In recent years, the importance of a chef's perspective has overtaken the historic prerequisite of producing a highly useable, instructional guide to cooking. Publishers are now willing to take chances on chefs whose food is unlikely to be replicated by home cooks, which has led to the production of such magnificent tomes as Modernist Cuisine or Heston Blumenthal's Big Fat Duck Cookbook. Design, in turn, has shifted to support these more personal, artistic statements of chefs, and not only on the high end of the culinary industry.

Design was also a large part of the focus at "Foodieodicals", a day-long fair of printed food magazines and pamphlets from around the world. From the highly-saturated style of Tokyo's inexpensive, newspaper-like Rocket, to the scratch-n-sniff whimsy of Swallow Magazine's latest issue, the range of perspectives of what a magazine should look or feel like was endless. As far as the content, it ran the gamut from editorial, to literary and even intentionally "nerdy", as in the case of Cereal, whose content most caught my eye.

There was a food publication for all levels of kitchen proficiency and palate training, a spectrum that represented our growing insatiability for food, distanced from the actual plate. Based on some of the edgier publications presented by the weekend's panelists, such as Christopher Lopez-Thomas of White Zinfandel, we can only expect that the industry will continue to grow in unexpected ways, creating not only new styles of content, but also innovative designs that further explore our relationship with food.

eater's digest: boulette's larder

Photos by Lauren DeFilippo

When I was growing up, I would do anything I could to avoid eating breakfast. It wasn't for a lack of hunger. Rather, I disliked the foodstuffs that made up this iconic meal. Scrambled eggs made me nauseous. Toast, pancakes and waffles, a bit bland. Even my 5th grade invention convention entry spelled it out: a "sog-no-more" cereal bowl, crusading against soggy breakfast. On weekends, I opted for leftover chili or other savory foods.

So when 101 Cookbooks recommended I eat this most mundane of meals at Boulette's Larder, I didn't even consider it. But my sister (older and, in this instance, wiser) noted the tip.

Our trip to San Francisco was a last minute plan, sprung from a work trip to the annual IACP conference. Being that I haven't been to SF since I was 13, I enthusiastically tacked on a few days vacation to fully explore the city, and Lauren was all too happy to come along.

Breakfast at Boulette's, which I experienced twice - on my first and last days in the city - is nothing short of a revelation. I try to reserve such seeming exaggerations for true stunners, and this is one of them.

From the dreamy open kitchen - complete with copper pots and other elegant details - to the intentionally brief, curated menu, everything was rave worthy. The nauseating scrambled eggs of my youth are not remotely the same species as the impossibly light and creamy eggs at Boulette. Drizzled with lemon or mandarine oil and served with a dollop of fresh chevre, they were the single dish for which I returned a second time.

The sheep's milk yogurt and quinoa granola that I sampled the first time were also more than noteworthy. Extra-tangy, luxurious yogurt was served with a nutty, crunchy crumble of home-toasted grains and seeds. It's hard to describe how something so simple can be so exquisite, but that's the essence of Boulette's.

Perhaps the most fun thing to order is the many-grain porridge, which is served with an assortment of little wooden boxes, offering nuts, seeds and dried fruits, such as currants. While these three stand-bys tend to be offered in different iterations each day, the extended menu changes constantly, based on the local offerings in the market.

As for the ambiance, the unusually tall and elegant waiters are as pleasant as the food, and the prime communal table seating offers a front-row view into the kitchen. Housed in the Ferry Building, which also hosts the city's best farmer's market, there is little not to love about Boulette's.

If I had to offer one critique, it would be of the restaurant's sweets. Both the brown sugar/kumquat and the lemon meringue tarts (which I bought on other mornings for breakfast) were a bit too sweet for my liking. It's not that they were saccharine, but rather that the tart citrus accent I had hoped for was muted by other elements. That said, the textures, crust and meringue of both tarts were among the best I've ever eaten. So if you've a sweeter tooth than I, do dig in.

Boulette's Larder
1 Ferry Building Marketplace
San Francisco, CA 94111
(415) 399-1155